English  |  正體中文  |  简体中文  |  Post-Print筆數 : 11 |  Items with full text/Total items : 88866/118573 (75%)
Visitors : 23556587      Online Users : 121
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: http://nccur.lib.nccu.edu.tw/handle/140.119/96861


    Title: 簡論常州詞派的南北宋之辨
    Authors: 孫克強
    Sun, Ke-Qiang
    Keywords: 常州詞派;南北宋;張惠言;周濟;陳廷焯
    Date: 2009-06
    Issue Date: 2016-05-23 14:54:11 (UTC+8)
    Abstract: 南北宋之爭是清代詞學史上貫穿始終的論題。雲間派崇尚南唐北宋,黜斥南宋;浙西詞派反其道而行之,力推南宋,標舉姜(夔)、張(炎)。常州詞派崛起之後,對南北宋詞的特點進行了深入的探討,對前人南北宋之爭的得失進行了全面的反思。張惠言在〈詞選序〉中對詞人的褒貶均沒有南北宋的域界標準,實際上摒棄了清初以來偏取北宋、南宋的流派意氣。周濟、陳廷焯更是具體分析了南北宋詞不同的風格特點以及優缺點,並指出了南北宋詞各自的價值定位。常州詞派對南北宋詞的論析呈現以下特點和意義:由「南北宋之爭」到「南北宋之辨」;對南北宋詞各自特點以及二者的比較有了更為深入的認識;對今人認識南北宋詞有直接影響。常州詞派之後以晚清四大家為代表的傳統詞學和以王國維為代表的新詞學又形成了新的南北宋之爭。
    The disputes about Southern and Northern Song Dynasty was throughout Ci poetry criticism in Qing Dynasty. YunJian Ci School advocated Southern Tang Dynasty and Northern Song Dynasty, they rejected Southern Song; ZheXi Ci School had the opposite attitude, they respected the Southern Song, and set the Jiang Kui and ZhangYan as an symbol. After ChangZhou Ci School rose,they discussed the features about Ci in Southern and Northern Song Dynasty deeply, and rethought the gains and loses about the dispute comprehensively. Zhang Huiyan didn’t set a boundary line between Southern and Northern Song Dynasty when he commented the poets in The Preface of CiXuan. he discarded the school’s personal feeling from the beginning of the the Qing Dynasty that advocated Southern or Northern Song. Zhou Ji and Chen Ting-zhuo analysed the different styles, advantages and disadvantages of the Ci in Southern and Northern Song, and pointed out the respective value of them. ChangZhou Ci School’s analysis showed the characteristics and significances as follows: from disputing to distinguishing; deeper recognition of respective features and the comparison of Ci in Southern and Northern Song; the direct influence on people’s perspective today. After ChangZhou Ci School, traditional ci-poetry criticism which represented by the Four masters of the late Qing dynasty, and the new ci-poetry criticism which represented by Wang Guo-wei, started a new dispute on Southern and Northern Song again.
    Relation: 政大中文學報, 11, 53-66
    Bulletin of the Department of Chinese Literature National Chengchi University
    Data Type: article
    Appears in Collections:[政大中文學報 THCI Core] 期刊論文

    Files in This Item:

    File Description SizeFormat
    11(53-66).pdf825KbAdobe PDF87View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback