English  |  正體中文  |  简体中文  |  全文筆數/總筆數 : 81064/110492 (73%)
造訪人次 : 20986770      線上人數 : 566
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋
    政大機構典藏 > 傳播學院 > 廣告學系 > 期刊論文 >  Item 140.119/116419
    請使用永久網址來引用或連結此文件: http://nccur.lib.nccu.edu.tw/handle/140.119/116419


    題名: Memoria, deambulacion urbana y pesquisas en la novela negra de Francisco Gonzalez Ledesama
    作者: 楊瓊瑩
    Yang, Chung-Ying
    貢獻者: 歐洲語文學系
    關鍵詞: memory;urban strolling;American hard-boiled detective fiction;investigation;Francisco González Ledesma
    日期: 2017-07
    上傳時間: 2018-03-21 17:36:42 (UTC+8)
    摘要: Francisco González Ledesma (1927-2015) has been considered by the critics as one of the most prominent driving forces of contemporary Spanish detective fiction. His first novel, Sombras Viejas, was banned by Franco’s rigid censorship. It was until 1984 that González Ledesma received the Premio Planeta for the novel Crónica sentimental en rojo, which supposed a notable popularity in the field of detective narrative. With the publication of 10 novels and 1 collection of short stories, González Ledesma has created the crime series featured by the Inspector Ricardo Méndez and set mainly in the city of Barcelona. In this series, Méndez is portrayed as a detective of the hard-boiled school who is skeptical about the standard justice, but truly believes in the justice of streets, and a character showing his profound nostalgia for the past of Barcelona as well as his worries of spatial transformations as the consequences of urban planning carried out over the years. In the present essay, we analyze how González Ledesma employs the structures of novel of memory and the novela negra in Crónica sentimental en rojo (A Bloody, Sentimental Story, 1984), Cinco mujeres y media (Five and a Half Women, 2005) and Una novela de barrio (A Neighborhood Story, 2007) which we have selected as representative texts of the Méndez series. Furthermore, we explore how Méndez, an aged, disillusioned, and compassionate police inspector, with a gaze of flâneur, strolls through the streets of the marginal areas of Barcelona, observing the effects of modernity and globalization reflected in the city, and attempts to reconstruct the loss of identity and the collective memory of Barcelona.
    關聯: Fu Jen Studies: Literature and Linguistics, No.50, pp.105-134
    資料類型: article
    顯示於類別:[廣告學系] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    415086.pdf293KbAdobe PDF56檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋