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    Please use this identifier to cite or link to this item: http://nccur.lib.nccu.edu.tw/handle/140.119/111211


    Title: 清末民初視域融合中的形塑與表述——以「太平天國」與「基督/教」書寫為主的探討
    Authors: 高桂惠
    Contributors: 中文系
    Keywords: 太平天國;物質文化;鐵淚圖;Taiping Rebellion;Material Culture;Tears From Iron
    Date: 2015
    Issue Date: 2017-07-14 09:45:15 (UTC+8)
    Abstract: 太平天國運動導致不同文化的相遇,不論是東亞或歐美,都牽涉到文化格局、文化視框以及譯解問題,本文擬藉由多重視域的探究,試圖勾勒此一運動作為文學情懷、時代心靈、歷史造像之自我形塑,以及全球化歷史進程中面向他者的文學與文化創化及其意義。太平天國的親歷文本、記憶書寫、勸募圖文,在近現代化的歷史進程,透過微型敘事、大敘事帶來另類的詮釋空間,象徵了一種時代尚未消化的文化價值,以及對於動亂前的文化系統來說,代表了逐漸形成的多種必然的歷史價值轉換的中介。 The Taiping Rebellion resulted in different cultures meet. Both East Asia and Western areas are involved in the question of culture pattern, culture framework as well as decipherment. By researching in a multi-faceted perspective, this essay tends to outline the role of Taiping Rebellion in literature feelings, spirit of the period and historical sculptures. In addition, the meaning of literature and culture creation in the globalization process related to the Taiping Rebellion has also been analyzed. By reviewing the traditional writing such as text and novels, reflection of religion, official and foreign readings about political concept, this essay tried to get closer to a new imaginary world and different opinions. Meanwhile, the essay also probed into the modern reflection of post-colonial and post-eastern point of view.
    Relation: 科技部
    103-2410-H-004-178
    Data Type: report
    Appears in Collections:[中國文學系] 國科會研究計畫

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