English  |  正體中文  |  简体中文  |  全文筆數/總筆數 : 75046/106105 (71%)
造訪人次 : 19436028      線上人數 : 485
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋
    政大機構典藏 > 學術期刊 > 廣譯 > 期刊論文 >  Item 140.119/105536
    請使用永久網址來引用或連結此文件: http://nccur.lib.nccu.edu.tw/handle/140.119/105536


    題名: 中譯童妮‧摩理森《寵兒》的職責
    其他題名: The Task of Translating Toni Morrison’s Beloved into Chinese
    作者: 何文敬
    Ho, Wen-Ching
    日期: 2013-09
    上傳時間: 2016-12-29 15:34:36 (UTC+8)
    摘要: 本論文在探索中譯童妮‧摩理森《寵兒》的艱辛過程之際,將援引班雅民在〈譯者的職責〉中所表達的翻譯概念及德希達在〈巴別塔〉中的相關闡釋為架構。明知翻譯這本難懂的小說本身極具挑戰性,為什麼我當初會答應呢?論文首先省思個人所經歷的心理掙扎和接受挑戰的全部理由。第二部分的子標題為「做為負責任的摩理森譯者」,旨在檢視擔任摩理森小說,尤其是《寵兒》的好譯者,須具備哪些先決條件?第三部分為本論文的重點所在,主要析論個人在中譯這本摩理森名著時所遭遇的種種困難及解決之道:從小說的中文書名(《寵兒》)開始討論,接著分析小說的敘述風格和語調、聖經典故、口述和聽覺特性、詩意的散文和歌詞、對話、口語和文字遊戲(雙關語)。不過,在語言上最讓我傷腦筋的是翻譯小說第二部分的幾章內心獨白,特別是透過寵兒的「中間航程」意識流所呈現的那一章。論文第三部分最後反思翻譯中所遭遇的種種文化差異和障礙,第四部分(結論)提出有關翻譯的技巧和藝術的一些觀察,同時將翻譯用作隱喻,藉以提出我的「救贖的」翻譯行為和摩理森書寫《寵兒》之間的關聯。
    In exploring the tough process of translating Toni Morrison’s Beloved into Chinese, the paper will be framed by Walter Benjamin’s notion of translation as expressed in his famous 1923 essay “The Task of the Translator” and Jacques Derrida’s related exposition in “Des Tours de Babel.” Since I am fully aware that translating this difficult novel is highly challenging, why, then, did I agree to undertake the task? The paper begins by examining the psychic struggles I underwent and the rationale involved before I finally accepted the challenge. Subtitled “To Be a Responsible Morrison Translator,” the second section investigates what I believe to be the prerequisites of a good translator of Morrison’s novels in general and of Beloved in particular. In the third section, which constitutes the principal focus of my paper, I will explore the problems I encountered while rendering Morrison’s most well-known novel into Chinese and how I came to solve them. Starting with the choice of a Chinese title, I proceed to analyze the novel’s narrative style and tone, its biblical allusions, its oral and aural quality, its poetic prose and songs, its dialogues, colloquialisms and word-play. But the hardest linguistic nut for me to crack was translating the various interior monologues in Part Two, especially the chapter narrated through Beloved’s “Middle Passage” stream of consciousness. While I conclude the main section with a reflection of the cultural differences and barriers, in the final section I will put forth a number of observations concerning the craft and art of translation while using translation metaphorically to propound the correlation of my “redemptive” act of translation with Morrison’s writing of Beloved.
    關聯: 廣譯:語言、文學與文化翻譯, 9, 1-35
    資料類型: article
    顯示於類別:[廣譯] 期刊論文

    文件中的檔案:

    檔案 大小格式瀏覽次數
    9-1-35.pdf725KbAdobe PDF167檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋